Taxonomies: MPH CD

Taxonomies: MPH CD

Taxonomies: MPH CD

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"The trio flows from hypnotic airs to free collision, oddball quirk, pastoral meditation, maybe a touch of Third Stream, and yet everything coheres: balanced, luminous, seductive. Described individually, the tracks can seem a weird collection but the introspective, unhurried flow of ideas and interplay, and the almost songlike structures lull the ear, leading to a number of ‘How did we get here?’ moments when the conscious brain takes note. In fact, the album cover may be the best indicator of what’s going on: natural, organic music… with thorns." - A JAZZ NOISE


MPH is a trio featuring three of the most creative musical minds on the improv scene today. Their music draws from a huge range of genres to create bewitching and astonishingly original sound pictures, shot through with vitality, tenderness and humour. Taxonomies is the trio’s debut album, taking inspiration from a quirky perspective on the natural world. PH came together in 2018 at the suggestion of Alex Maguire, who had worked with Mark Hewins and Martin Pyne individually. The trio plays completely improvised music. All three musicians have diverse musical interests and a wealth of experience, and this results in music with a gloriously wide frame of reference: their playing can be by turns playful, ethereal, earthy, abrasive, delicate and lyrical. Listeners will hear influences from many sources, ranging from the blues to the jazz abstractions of Jimmy Giuffre and the prepared piano sounds of John Cage.

This album was recorded live over two days. The first was on 15/08/18 at Playback Studio in Margate where Alex played Hammond Organ, Mark digital slide guitar and electronics, and Martin moved between vibraphone with electronics, drums, and a spot of processed Wave Drum. The second track on the album, “False Jasmine”, was actually the first piece the group played together. The second day was at TallGuy Studio, Egham on 16/08/18. Alex switched to acoustic piano, while Mark used a big fat jazz guitar, again with electronics on a few pieces, and Martin played acoustic vibraphone, with and without preparations, and some small percussion.

The titles are inspired by the wonderfully evocative traditional names for various flora and fauna, suggestive of timeless narratives, characters, landscapes and mindscapes."

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