{"title":"Psych Folk \/ Acid folk \/ outsider folk \/ alternative folk","description":"","products":[{"product_id":"masaki-batoh","title":"Masaki Batoh: Nowhere LP","description":"\u003cspan\u003eWe come from nowhere and fade back there again. Masaki Batoh’s Nowhere reaches out of that darkness, with strings of steel and voices echoing out of time — a vast space echoing with the music of many eras, played and sung in tongues of many nations. Batoh (ex-Ghost) s opening the door for you — if you are able to pass through, Nowhere is waiting for you.\u003c\/span\u003e","brand":"Drag City","offers":[{"title":"Default Title","offer_id":39790422556742,"sku":"1","price":42.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0557\/4210\/3622\/products\/MasakiBatoh-Nowhere.jpg?v=1644396492"},{"product_id":"spiderbeetlebee","title":"Bill Mackey \u0026 Ryley Walker: Spiderbeetlebee LP","description":"\u003cp\u003eWalker and MacKay have recorded together before - but SpiderBeetleBee is a fervid new hybrid of their talents. In fact, if you play this back-to-back with Bill MacKay's Esker, released be yers-truly earlier this year, you'll find a radically different sound - the chattering of acoustic guitars in vigorous dialogue, which allows such plain and visceral pleasure, of course - but also the depth and diversity that players strive for all their lives and not access.\u003c\/p\u003e\n\u003cp\u003eWith Bill and Ryley, we sense that this is only the beginning. Live shows around town have shown them to be awesomely adept at electric duet as well; eclectic regardless what is in their hands (including, yes, a beer or two).\u003c\/p\u003e\n\u003cp\u003eBill MacKay \u0026amp; Ryley Walker are out playing in the fields of legendary forebears and peers alike: Fahey, Basho, Kottke, Max Ochs, our own Mark Fosson, Jim O'Rourke, Jack Rose, William Tyler, Daniel Bachman and many others. The combination of multiple perspectives and a wild impulse under their fingers makes SpiderBeetleBee a rewarding repeat listen. Here's a couple of listens to get you started: \"I Heard Them Singing\" and \"Lonesome Traveler\".\u003c\/p\u003e","brand":"Drag City","offers":[{"title":"Default Title","offer_id":39790456799302,"sku":"2","price":40.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0557\/4210\/3622\/products\/ILLMACKAY_RYLEYWALKER-SPIDERBEETLEBEE.jpg?v=1644484559"},{"product_id":"at-the-cut","title":"Vic Chesnutt: At the Cut LP (180 grams)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eVic’s first album for Constellation, North Star Deserter (2007), featured the members of Silver Mt. Zion and Fugazi’s Guy Picciotto. Together with Nadia Moss and Chad Jones, this same troupe reunited for At The Cut, and was again recorded by Howard Bilerman at Hotel2Tango in Montreal.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAt The Cut picks up where North Star Deserter left off, with the explosive opening tune “Coward” displaying all the epic soaring thrust this band is capable of. From this bracing beginning, the album quickly changes temperature and temperament, settling into what is arguably the most intimate, pensive and heartbreaking work of Vic Chesnutt’s career. Cowardice, courage, mortality, tenacity, defiance, mourning and memory are its themes. Throughout the album, and even on the two tracks that blister and blast, there is a lyrical intimacy and directness, a searingly raw honesty to Vic’s voice and words, that finds no parallel in his body of work.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFor an album so overtly shaped by ruminations on mortality, by a man from Georgia USA who certainly knew of what he sang, it is both refreshing and unbelievably heartwarming to hear how Vic sidesteps any of the obvious Southern Gothic tropes, lyrically and musically. No vaulted arches, gaping abysses or burning fields here – no\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e‘voicing’ of the preacher or the devil, no putting on airs. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eVic managed to sing so authentically and wholeheartedly from and about his sense of place (the South, the wheelchair, 21st century America) because he refused to sentimentalise any of it. He railed against his personal fate without bitterness, without apology, with a sardonic and sometimes angry poetics of the passionately humanist and secular variety: wholly framed by the back porch, championing a humble wisdom, a sincere ethics (without moralising) and a natural literateness; certainly permitting a wisecrack or three, but never allowing for anything hackneyed or cornball or fake. At The Cut is a bona fide classic by a man who was better positioned than most to sing it strong and true. He is missed.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Constellations","offers":[{"title":"Default Title","offer_id":39790497562694,"sku":"1","price":45.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0557\/4210\/3622\/products\/VicChesnutt-atthecut.jpg?v=1644496324"},{"product_id":"smile-jesus-loves-you","title":"Masaki Batoh: Smile Jesus Loves You CD","description":"\u003cp\u003eMasaki Batoh's solo career continues to rise up with his 5th solo album, and second in the last two years, Smile Jesus Loves YOU. As long time listeners of Ghost and The Silence are well aware, Batoh's music is of the world and for the world...it exists as part of the conundrum of the world, for us to hear and form thought or feeling. We have no way of knowing it, other than to listen.\u003c\/p\u003e\n\u003cp\u003eFor the journey of this new album, Batoh takes us a great distance, singing in Japanese, English, Spanish and Latin, including an amazing cover of one of his heroes, Atahualpa Yupanqui, with lyrics translated from Spanish to Japanese, giving them a haiku-like feeling. Batoh plays a variety of stringed instruments throughout, as well as mellotron and shanai, supported at times by the playing of others on flute, piano, lap steel, saxophone, contra bass and drums.\u003c\/p\u003e\n\u003cp\u003eThe songs expand amoebically, with music styles of the world shifting and merging to form their whole. Through phases of dark and light, including some new musical discoveries in Batoh's world, we travel through the multipart epic title track to salvation. This world is a difficult place, whether or not the gods will come to save us, but there is a happy ending for us if we accept and make it so.\u003c\/p\u003e","brand":"Drag City","offers":[{"title":"Default Title","offer_id":39793183031366,"sku":"1","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0557\/4210\/3622\/products\/Masahi_jesus.jpg?v=1644480897"},{"product_id":"help-your-satori-mind","title":"Cosmic Invention: Help Your Satori Mind 2LP","description":"\u003cp\u003eIn 1996, Masaki Batoh, who'd spent the previous decade recording, playing and living in a hippie communal environment with the heavy chamber folk outfit Ghost, formed a new unit to play in a different manner. He'd just finished making an incredible new Ghost album, Lama Rabi Rabi, but making music with Ghost was a intense and spiritual endeavor; for a change, Batoh wanted simply to enjoy, with a free and open mind, the playing of the kind of music that he and his musical friends had grown up with; the '70s sounds of British, American and Japanese rock.\u003c\/p\u003e\n\u003cp\u003eHelp Your Satori Mind is a result of things they just naturally jammed on during a couple of sessions. It's totally out of Ghost's world.\u003c\/p\u003e","brand":"Drag City","offers":[{"title":"Default Title","offer_id":39793185095750,"sku":"1","price":55.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0557\/4210\/3622\/products\/COSMICINVENTION-HELPYOURSATORIMIND.jpg?v=1644322076"},{"product_id":"hark-the-silence","title":"The Silence: Hark The Silence","description":"\u003cp\u003eThe Silence are a storm that has been brewing across Japan for over a year-and now that system is breaking into the skies of the rest of the world! Their self-titled debut of this past spring was simply a preamble to the fluid and formidable electro-acoustic interplay that has quickly evolved since then.\u003c\/p\u003e\n\u003cp\u003eThe first record is of a song-based nature, rendered with careful beauty familiar to long-time listeners of Masaki Batoh and Ghost; a sound that turned on occasion into greater journeys. Hark The Silence takes that notion and runs with it in a powerfully jamming album containing all the musical elements that define The Silence in flowing and transcendent performance, all of it recorded on 24-track analogue tape, a process which brings their musical and spatial qualities into dynamic balance. Everything in the universe accessible to The Silence may be found in the \"Ancient Wind\" trilogy that fills side one of Hark The Silence.\u003c\/p\u003e\n\u003cp\u003eFrom the depths of space rolls washes of gong, through which a terse, minimal bassline comes marching. Rattles of prepared piano spark and pass through the frame, blown over with the celestial omnipotence of a flute. The now-sensuous groove is underscored with luxuriant stereophonic drums rolling across the speakers. Representing the state of nature from which all music as well as The Silence has to come, \"Ancient Wind\" Part 1 ceases to exist, and explodes into a furious Bo-Diddley beat for Part 2, a chant replete with acid-rock guitar solos, an encompassing saxophone testament and an echo-unit driven drum breakdown.\u003c\/p\u003e\n\u003cp\u003ePart 3 of \"Ancient Wind\" resumes the chant in the mode of \"Gangamanag\" (from Ghost's Hypnotic Underworld opus) and extends the fury of the progression in 7\/8 to include a dazzling organ solo over unending volcanic eruption. As the swirling mass subsides, a few rusty blue notes from an acoustic guitar are sounded over the encroaching Silence. Showing in one side that The Silence are capable of EVERYTHING. But there are three more sides during which The Silence continue to travel through the universe that \"Ancient Wind\" has blown open. Side two features two jams of a different color.\u003c\/p\u003e\n\u003cp\u003eRecorded completely live, \"Ornament\" continues with resonant guitar acoustics from the fading embers of side one, starting with a gentle mode, and sung by Batoh in their native tongue, before the song ascends to explorations in space with music. \"DEX #1\" continues the ride, a heavy jam in 4\/4 dedicated to Dexter Gordon with loads of texture from keyboards and saxophone that make for very compelling physical listening.\u003c\/p\u003e\n\u003cp\u003eDo you now realize that Hark The Silence is truly an experience and a trip that you have to take yourself? We can't describe it ALL for you, but we will that the second half of the album contains an exquisite and intense rock arrangement of Damon and Naomi with Batoh's tremendous singing atop the pile-driving power of The Silence in full swing, plus several other awe-inspiring encounters in live performance, minimal jamming, poetry, baritone-sax breath and group-think at it's best. As the album closes with the clarion call of \"Fireball,\" the graveyard of all history traversed by The Silence is illuminated by the dead's spirit burning in the air-a great and profoundly jarring moment. Hark The Silence is a composite of such moments, an album that travels enormous distances and captures live energies in astonishing studio sounds.\u003c\/p\u003e\n\u003cp\u003eThe Silence are clearly one of the most powerful groups playing today ANYWHERE in the world-Hark The Silence should provoke audiences everywhere to demand The Silence for themselves!\u003c\/p\u003e","brand":"Drag City","offers":[{"title":"Default Title","offer_id":39793321148486,"sku":"1","price":50.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0557\/4210\/3622\/products\/Silence_hark.jpg?v=1644321764"},{"product_id":"hydrophonic-gardening","title":"Saturnia: Hydrophonic Gardening CD","description":"\u003cp\u003eTripped out psych rock with elements of e\u003cspan data-mce-fragment=\"1\"\u003experimental rock from Portugal's Saturnia.\u003c\/span\u003e\u003c\/p\u003e","brand":"Elektrohasch Records","offers":[{"title":"Default Title","offer_id":39793670488134,"sku":"1","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0557\/4210\/3622\/products\/Saturnia-HydrophonicGardening.jpg?v=1644565949"},{"product_id":"kawaguchi-masami-self-portrait-lp-silk-screened-jacket","title":"Kawaguchi Masami: Self Portrait LP (Silk-screened jacket)","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\"It’s been almost three decades since Japanese guitarist and songwriter Masami Kawaguchi first broke cover, with his group Broomdusters and their debut album, 23 hours 30 minutes (Purifiva, 1997). In the intervening years, Kawaguchi has maintained single-minded discipline, through his membership of some of the Japanese underground’s greatest groups (Miminokoto, LSD March, Los Doroncos, Usurabi, and his projects with Keiji Haino: Aihiyo and The Hardy Rocks); the exhilarating music made by his own band, New Rock Syndicate; and a small clutch of intimate (mostly live) solo recordings.\u003c\/p\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003eBut nothing in his history has been quiet as distinctive, nor as singular, as Self Portrait. The title’s a strong clue, of course, but the real tell is in the consummate nature of the eight songs here – this is Kawaguchi articulating most clearly his vision of what rock music could and should be, and what it means to him. His first studio solo album, it’s both dedication and hymn to the music that keeps Kawaguchi moving. Deftly crafted and sweetly intimate, Self Portrait is bursting with great songs, shifting from gorgeous acoustic folk-blues melancholy – see “Visions Of Marianne”, and the dreamlike closer, “On The Rooftop”, which Kawaguchi describes as his answer song to the Rolling Stones’ “As Tears Go By” – to storming rock monsters.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003eTo that end, it’s a goddamn thrill to hear Kawaguchi and friends jamming on a James Brown riff through “Awake”, squeezing all the nuance out of its stop-start, staccato rhythms. Elsewhere, Kawaguchi lazily strums a psychedelic air, on the Syd Barrett-esque “Blindfold Blues”, and rifles through his backpack to find one of his earliest songs, the strung-out, levitating “Nothing”, which he wrote when he was nineteen years old. “Song For Golden Hair” pays tribute to the psychedelic sixties; “Drinking With Mr. K” remembers Japanese psych-rock legend Jutok Kaneko of Kousokuya.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003eKawaguchi’s been playing the long game, slowly whittling away at a unique and personal take on rock and the blues, one that’s equal parts reverent and forward-thinking, playful and deeply committed. Self Portrait is the clearest articulation yet of his dedicated vision. And it’s a total blast.\" An' Archives \u003cbr\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eSilk-screened tip-on \/ “old style” jacket with obi (red or black), inserts and a postcard\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLiner notes by Jon Dale \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2917911066\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/anarchiveslabel.bandcamp.com\/album\/self-portrait\"\u003eSelf Portrait by Kawaguchi Masami\u003c\/a\u003e\u003c\/iframe\u003e","brand":"An' Archives","offers":[{"title":"Default Title","offer_id":39800842059846,"sku":"10","price":45.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0557\/4210\/3622\/products\/Masami_selfportrait.jpg?v=1644291937"},{"product_id":"lsd-march-the-night-lp-silkscreened-jacket","title":"LSD March: The Night LP (silkscreened jacket)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eLSD March is a band from Himeji, Hyogo Prefecture, whose members revolved around Shinsuke Michishita, guitarist\/singer, the band’s black star, before being reborn nowadays, after several years of hiatus, as a duet with Ikuro Takahashi, legendary drummer who was the heart muscle of Fushitsusha, and of most of the underground Tokyo bands.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eShinsuke Michishita has a taste for immersion, for plunging into the electric waves of gaping amplifiers, psychedelic surfer haunted by this sonic ocean and its crushing shore breaks, where the self dissolves, becomes one with the sound, where the self escapes to his dreams and nightmares.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis album recorded in 2008 is caught in a crazy time spiral, as in a dream where one desperetaely runs without moving, with the ground slipping away under our feet. The clock turns celibate, Ikuro Takahashi fractures the rhythm, hammers it further like an impossible point to reach.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSometimes, the guitar follows or precedes him, resets the clock, with its chords slammed on the ticking, a ceremony of fleeing time. And the voice weeps like rain, or a prayer.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eLSD March has often been compared to the Rallizes Denudes, a sort of poisonous resurgence of them, with Shinsuke Michishista being seen as a revenant from those psychedelic dark times. The same dark Moire, spilling from a bog overflowing with distortion, the same nihilistic, maladjusted, collapsed lyricism, a similar sad voice singing from within the ruins of time. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLP ltd to 400, silkscreened jacket with obi (light blue, tan-ivory), inserts and postcard\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLiner notes by Michel Henritzi.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1777258125\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/anarchiveslabel.bandcamp.com\/album\/the-night\"\u003eThe Night by LSD March\u003c\/a\u003e\u003c\/iframe\u003e","brand":"An' Archives","offers":[{"title":"Default Title","offer_id":39800847990854,"sku":"10","price":45.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0557\/4210\/3622\/products\/LSDMarch_thenight.jpg?v=1644292409"},{"product_id":"the-fugs-tenderness-junction-lp-180-grams","title":"The Fugs: Tenderness Junction LP (180 grams)","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eThe Fugs were the original outsider artists. They released their first recordings on the legendary avant-garde label ESP-Disk in the mid 1960s before signing to Reprise. They combined jug band music, smutty rock 'n' roll, country ballads, Gregorian chants, canticles, Hebraic-tinged sing-songs, and bohemian poetry into a stoned stew of anti-establishment freakouts!\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eThis is their first Reprise release from 1967 reissued on 180 gram virgin vinyl with a deluxe gatefold reproduction of the original artwork. Features the classics \"Turn On\/Tune In\/Drop Out\" and \"Exorcising the Evil Spirits From the Pentagon October 21, 1967.\"\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/-cwYHl3IK0Y\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"4 Men with Beards","offers":[{"title":"Default Title","offer_id":39811262939206,"sku":"2","price":40.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0557\/4210\/3622\/products\/TheFugs_TendernessJunction.jpg?v=1644646124"},{"product_id":"mv-ee-with-the-golden-road-drone-trailer-lp","title":"Mv \u0026 EE With The Golden Road: Drone Trailer LP","description":"\u003cp data-mce-fragment=\"1\"\u003eOrbiting the earth in Vermont is Matt \"MV\" Valentine, once the brawn of the Tower Recordings, and Erika \"EE\" Elder, CEO of Heroine Celestial Agriculture and The MV \u0026amp; EE Medicine Show. Together with their dog Zuma, they run the Child of Microtones library of exploratory music--sometimes their own lunar blues, sometimes finger-picking-style noise\/space, sometimes lonesome frontier folk.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e MV \u0026amp; EE have landed at the DiCristina Building bearing Drone Trailer, featuring The Golden Road: Doc Dunn (pedal steel, guitar, harmony), Mike Smith (bass, fender rhodes, harmony), and James Anderson (drums, engineer).\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eYou may recognize these names as part of MV \u0026amp; EE's touring band when they scorched across New England and the Rust Belt en route to Terrastock this past June. Drone Trailer is a consolidation of the previous musical high-life of the duo's space shanties for the 21st century. In other words, MV \u0026amp; EE explore their unique mix of lunar raga and astral string band music, with a couple deep-space burners\/covert jams such as opening blast \"Anyway\" thrown in to bust it all open. Nobody is gonna mind if they hear a little Crazy Horse and prime-era Dead here as well!\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Dicristina Stair Builders","offers":[{"title":"Default Title","offer_id":39812777836614,"sku":"2","price":40.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0557\/4210\/3622\/products\/Mv_EeWithTheGoldenRoadDroneTrailer.jpg?v=1644731373"},{"product_id":"suishou-no-fune-prayer-for-chibi-2xcd","title":"Suishou no Fune: Prayer For Chibi 2xCD","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDouble-disc from Tokyo psych two-piece \u003c\/span\u003eSuishou no Fune who originated in Tokyo's fertile psychedelic scene. After landing a spot on PSF's Tokyo Flashback 5 and releasing Where the Spirits Are in 2006, the group ventured out from Japan and took every opportunity to play across the United States and Europe.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eDuring one of these trips in the spring of 2007, the group-- down to the crucial duo of Pirako and Kurenai-- went into a recording studio for a few days and laid down eight massive new tracks.\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eTwo tracks, chosen by the group—\"Becoming a Flower\" and \"Till We Meet Again\"—appear on this special vinyl edition. Much about Suishou no Fune has had to do with volume, but this new set of duets adds forays into starker songwriting and a languid serenity that works to make one feel as if it were necessary to hold one's breath through the entire album.\u003c\/p\u003e\n\u003cbr\u003e","brand":"Holy Mountain","offers":[{"title":"Default Title","offer_id":39812804542534,"sku":"1","price":28.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0557\/4210\/3622\/products\/SuishouNoFune_PrayerForChibi.jpg?v=1644733532"},{"product_id":"copy-of-suishou-no-fune-prayer-for-chibi-2xcd","title":"Suishou no Fune: Prayer For Chibi LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDouble-disc from Tokyo psych two-piece \u003c\/span\u003eSuishou no Fune who originated in Tokyo's fertile psychedelic scene. After landing a spot on PSF's Tokyo Flashback 5 and releasing Where the Spirits Are in 2006, the group ventured out from Japan and took every opportunity to play across the United States and Europe.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eDuring one of these trips in the spring of 2007, the group-- down to the crucial duo of Pirako and Kurenai-- went into a recording studio for a few days and laid down eight massive new tracks.\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eTwo tracks, chosen by the group—\"Becoming a Flower\" and \"Till We Meet Again\"—appear on this special vinyl edition. Much about Suishou no Fune has had to do with volume, but this new set of duets adds forays into starker songwriting and a languid serenity that works to make one feel as if it were necessary to hold one's breath through the entire album.\u003c\/p\u003e\n\u003cbr\u003e","brand":"Holy Mountain","offers":[{"title":"Default Title","offer_id":39812804575302,"sku":"2","price":45.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0557\/4210\/3622\/products\/SuishouNoFune_PrayerForChibi_d96dbfd6-8afa-4608-bbb6-4591ec863d65.jpg?v=1644733542"},{"product_id":"suishou-no-fune-where-the-spirits-are-cd","title":"Suishou no Fune : Where the Spirits Are CD","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eFormed in 1999 as a duo of female guitarist Pirako Kurenai and male guitarist Kageo, Suishou no Fune have been making some of the most charmingly chaotic dream music coming out of Japan. Their sound contains subcutaneous elements of no-wave energy mixed with psychedelic rock à la early Fushitsusha or Kousokuya. Other songs approach balladry with oddly beautiful twinned vocals and distorted guitars. They have performed around Tokyo with a list of people who could succinctly be described as everybody and were even invited to play Scotland’s Weekend festival in 2005.\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e “The group’s sound runs from massively distended nod-outs that recall parts of the first Fushitsusha album through weird duo tracks that orbit a parallel universe where late-period John Fahey was the prime influence on Charalambides, infernal Dead C\/Gate style guitar abuse and achingly beautiful comedown ballads. The twin vocalists are massively different in their approach, with Pirako singing in a high wayward style thatÕs all throat and no lungs while Kageo works from the other end of the pipes with a ripped Father Yod\/Jim Morrison\/Keiji Haino polyglot. Simply one of the greatest out-of-nowhere groups to come out of the Tokyo underground in years and the undisputed stars of PSF’s recent Tokyo Flashback 5 compilation.”\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eVolcanic Tongue\u003c\/p\u003e","brand":"Holy Mountain","offers":[{"title":"Default Title","offer_id":39812804837446,"sku":"1","price":22.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0557\/4210\/3622\/products\/SuishouNoFune_WhereTheSpiritsAre.jpg?v=1644733865"},{"product_id":"pelt-ayahuasca-cd","title":"Pelt: Ayahuasca CD","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eA sprawling follow-up to 1999's conceptual breakthrough Empty Bell Ringing In The Sky, Ayahuasca represented a comprehensive survey of the band's exponentially expanding world view during one of their most active periods. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded over a period of more than two years at various live and studio sessions, the sounds here are the start of what came after - Jack's \"Red Horse, White Mule\" and \"Opium Musick\" solo LPs, the Black Twigs, full-on Pelt acoustic shows, etc. Most striking about the record at the time was the inclusion of several traditional tunes, arranged for the group's eclectic instrumentation. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhile the band had been performing some acoustic material for several years and let some sneak out on the limited edition For Michael Hannas CDR, Ayahuasca was the first release to fully explore this part of their repertoire. \"The Cuckoo\" and 'Deep Sunny South\" are traditional Appalachian numbers, played and sung with considerable skill and feeling. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe sawing bowed acoustic guitar on \"The Cuckoo\" and the rolling banjo and Tibetan bowl accompaniment on \"Deep Sunny South\" draw a direct line between raw\/folk music traditions and the deep, visceral drone music that Pelt concentrated on prior to this record. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe performances here have a balance of unpolished amateur electricity and reverence for the material that\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003ereally only existed for a very short time - after this, the players rapidly expanding skills changed the sound forever. Combining the two styles neatly, \"A Raga Called John\" features Jack Rose's very, very fine country-blues\/Fahey-influenced fingerstyle guitar over a shifting backdrop of hurdy-gurdy and concertina, before giving way to tanpuras overrun by fretless banjo. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eOf course, on top of all of this easily comprehensible music there's plenty of ear-cleansing ecstatic drone, from the two long flotation-inducing trios for bowed electrics and Esraj to the wall-shaking electric hurdy-gurdy mania of \"Bear Head Apparition.\" Truly a record for our times, such as they are.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"VHF","offers":[{"title":"Default Title","offer_id":39814407946310,"sku":"1","price":22.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0557\/4210\/3622\/products\/Pelt-Ayahuasca.jpg?v=1644822627"},{"product_id":"pelt-max-meadows-cd","title":"Pelt: Max Meadows CD","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eMax Meadows is the third full-length release by Virginia trio Pelt. Recorded all over the place in studio, rehearsal, and live settings, combines the Dead C-like downer song-craft heard on their early releases with the massive group drone soon to take over their sound. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eUse of a wide variety of unusual instruments, including those of their own design, came into full bloom here and gives Pelt a sound very much removed from other groups working this side of the street. \"Outside Listening\" and \"Sun Is Standing\" send out lengthy waves of bliss via electric guitar, both ethereal and gritty at the same time. \"Hippy War Machine\" organizes the mass percussion heard on those old Amon Duul LP's and backs it with a powerful drone. \"Dismal Falls\" serves as a fitting coda to such an exhaustive listen, with its eerie, melodic banjo and bowed cymbals.\u003c\/span\u003e\u003c\/p\u003e","brand":"Vhf","offers":[{"title":"Default Title","offer_id":39814409420870,"sku":"1","price":22.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0557\/4210\/3622\/products\/MaxMeadows.jpg?v=1644823012"},{"product_id":"pelt-dauphin-elegies-cd","title":"Pelt: Dauphin Elegies CD","description":"\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003eFirst new studio recordings from Pelt in 3 years finds them picking up where 2005's Untitled CD left off - delivering massive slabs of heavy, all-acoustic drone action.\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\"Waning Crescent\" is an ominous workout for three large gongs, rich with overtones and subsonic rumble. \"Fire Signs Along the Field\" offers a slightly jarring quartet of spare string noise, with Nathan Bowles (Black Twigs, Spiral Joy Band) sitting in on double bass. \"Cast Out to Deep Waters\" is an immense 30 minute epic that fits into the archetypal classics in the Pelt canon, in the vein of \"Empty Bell Ringing in the Sky\" and Untitled's \"I.\"\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003eThe all too brief \"Crown of Comets\" closes the album with the chiming, overlapping ring of bells recorded in Virginia's Falls Ridge caves.\u003c\/div\u003e\n\u003ch3 class=\"credits-label\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/h3\u003e","brand":"Vhf","offers":[{"title":"Default Title","offer_id":39814411157574,"sku":"1","price":20.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0557\/4210\/3622\/products\/DauphinElegies.jpg?v=1644823171"},{"product_id":"pelt-skullfuck-bestio-tergum-cd","title":"Pelt: Skullfuck \/ Bestio Tergum CD","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eNow available to all, a new pressing of the extremely limited edition live CD previously attainable only on the band’s 2006 European tour. Contrary to the Grateful Dead reference in the title, Skullfuck is a tight recording of a single, intense November 2005 performance from NYC’s Knitting Factory.\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eThe set begins with an epic group arrangement of Jack Rose’s “Calais To Dover,” with Rose’s 12-string shadowed by Mike Gangloff’s fiddle, and the thick drone of Mikel Dimmick and Pat Best’s harmonium and srutis. The three-part “Bestio” suite follows, with the group moving to Tibetan bowls and gongs, building up a huge sheet of sound which peaks in a brief “encore” of wild gong smashing. This new edition is packaged in a gatefold “eco-wallet” with cover art designed by fabric and fiber-artist Emily Keown.\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e• Recorded live at the Knitting Factory, NYC, November 2005\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e• Packaged in a gatefold “eco-wallet”with beautiful cover renderings by artist Emily Keown\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Vhf","offers":[{"title":"Default Title","offer_id":39814413090886,"sku":"1","price":20.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0557\/4210\/3622\/products\/Skullfuck_BestioTergum.jpg?v=1644823385"},{"product_id":"pelt-techeod-cd","title":"Pelt: Techeod CD","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003ePelt's mix of traditional (acoustic instruments, folk and ethnic music) and contemporary (about one million super-weird noise and avant garde records) reaches a new peak on their latest full-length CD pronounced \"Teyhood.\" Using tamboura, guitar, violin, tabla, banjo, flute, lap steel, oscillator, voice, organ and a variety of other instruments both conventional and homemade, Pelt issue forth a massive and extraordinary gust of sound.\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eRecorded both at home and live in Washington, D.C., it's a sound extravaganza complete with Indian inspired modal trance, wall-of-sound layered melodica, and tape-loop exotica in the vein of compositional explorers like Terry Riley and Steve Reich.\u003c\/p\u003e","brand":"Vhf","offers":[{"title":"Default Title","offer_id":39814413779014,"sku":"1","price":20.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0557\/4210\/3622\/products\/Pelt-Techeod.jpg?v=1644823599"},{"product_id":"pelt-untitled-cd","title":"Pelt: Untitled CD","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e(untitled) is devastating set of almost pure white light from the newly upgraded Pelt lineup. The album’s intense drone music represents a return to “sonic-ism” for the quartet of Jack Rose, Mike Gangloff, Patrick Best, and Mikel Dimmick. Like 2003’s effort Pearls from the River, (untitled) is an all-acoustic affair.\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eThe group concentrates on producing dense clouds of overtones from guitar, cello, tibetan bowls, gongs, sruti, and esraj. Track one is an overpowering straight line à la the Theatre of Eternal Music, an atmosphere of stasis with gong and bowl flickering subtly over the massive track bed. Track two is a 32-minute epic that begins with the soft strains of Jack Rose’s 12 string, picks up dueling cello and esraj and gradually builds in intensity\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003ewith the sounds of gongs and other unusual percussion. Track three is the live staple “Sundogs,” where Rose’s Weissenborn lap guitar and Gangloff’s resonator guitar produce a stream of unearthly high, singing overtones in an uncanny acoustic impression of electric feedback. The final track is an epilogue of Best’s keening cello, again ignoring the usual technique associated with the instrument in the\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e pursuit of pure weirdness.\u003c\/p\u003e","brand":"Vhf","offers":[{"title":"Default Title","offer_id":39814414434374,"sku":"1","price":20.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0557\/4210\/3622\/products\/pelt_unt.jpg?v=1644823744"},{"product_id":"skullflower-carved-into-roses-3xcd","title":"Skullflower: Carved Into Roses 3xCD","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eThe Four Aims is the much-anticipated second full-length by the long-running duo of Mick Flower (Vibracathedral Orchestra, Sunroof, Michael Flower Band) and Chris Corsano (Flaherty\/Corsano, Jandek, Bjork, Sunburned). In the couple years since their debut, The Radiant Mirror (Textile), the two have toured and recorded frequently, expanding their range to include a mind-boggling array of free sound.\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e \"I, Brute Force\" kicks off the record with their signature--one of the most original in rock\/free\/whatever music--the electrifying sound of Flower's virtuosic, heavily amplified Japan Banjo (also known as a Shaahi Baaja) over Corsano's free-wheeling percussion. Other tracks show off subtle improv moves, with both players using extended techniques to generate a wide range of unusual sounds.\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eCorsano's technical mastery is almost without peer in his generation (Alex Neilson, maybe)--his ability to take the lessons of nearly five decades of free playing and extend them into new ranges is startling and exciting. Rather than play backup, Corsano meets Flower's strings and organ head-on with his own drum-bowing, cello, and circular-breathing-fired melodica.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Vhf","offers":[{"title":"Default Title","offer_id":39814427115590,"sku":"1","price":32.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0557\/4210\/3622\/products\/Skullflower.jpg?v=1644824126"},{"product_id":"jack-rose-kensington-blues-lp","title":"Jack Rose: Kensington Blues LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJack's all time masterpiece and fourth full-length from Jack, an inspired mix of styles and sounds that brings his in-person mastery down to LP\/CD scale. Kensington Blues is Jack's most diverse outing by far, with straight ragtime, heavy 12-string, and that sweet sweet Weissenborn lap guitar all checking in. Honed during endless touring in 2004, the repertoire here is delivered with maximum authority in a series of first-take performances recorded in early 2005. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Cathedral et Chartres\" and \"Calais to Dover\" are dense, brooding 12 string numbers, recalling the key tracks on 2004's Raag Manifestos CD. \"Calais\" features a sequence of right hand picking furious enough to evoke a dream state ala Charlemagne Palestine's \"Stumming Music.\" \"Rappahanock River Rag\" and \"Flirtin' With the Undertaker\" are pure syncopated ragtime, while \"Kensington Blues\" offers an almost regal take on the intersection of Anglo and American trad. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe epic \"Now That I'm A Man Full Grown\" was the signature piece of many of 2004's live shows, a display of mind-boggling slide invention that straddles the line of east and west ala \"Yaman Blues\" from the Opium Musick LP. In something of a surprise inclusion, Jack's take on Fahey's \"Sunflower River Blues\" (long a staple of Pelt and J.R. gigs but never included on a record) is subtle and expressive, with a wonderful rise and fall that perfectly accentuates Fahey's beautiful melody.\u003c\/span\u003e\u003c\/p\u003e","brand":"Vhf","offers":[{"title":"Default Title","offer_id":39814473515078,"sku":"1","price":38.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0557\/4210\/3622\/products\/jackrose_kensington.jpg?v=1644825898"},{"product_id":"mv-ee-root-void-lp","title":"MV \u0026 EE Root \/ Void LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“one of the most compelling, imaginative, and unique modern psychedelic records made by anyone in recent memory.”- J. Jackson Toth\/\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eAquarium Drunkard\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“MV \u0026amp; EE take their homespun hypnotics and cosmic country sounds to new levels on Root\/Void. I love this album – it trips hard and hauntingly – a gift for languid golden afternoons or late night moonlight powwows. Anthem-worthy tape edits on some cuts crack open surreal and cinematic vistas. While joined by fellow travelers here and there, this LP remains in essence a fecund duet from two entwined souls, updating and re-defining their unique pool of sound. Intrepid audio bathers: get thee immersed!”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLee Renaldo\u003cbr data-mce-fragment=\"1\"\u003eItaly, July 2016\u003c\/p\u003e","brand":"Woodsist","offers":[{"title":"Default Title","offer_id":39814740246598,"sku":"2","price":38.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0557\/4210\/3622\/products\/mv-root.jpg?v=1644835151"},{"product_id":"mv-ee-space-homestead-lp","title":"MV \u0026 EE: Space Homestead LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e“MV \u0026amp; EE” is slang for zero gravity, and even though they’ve been doing it consistently better since forever, they still want to give you more of their best.\u003c\/span\u003e\u003cspan class=\"break\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe DIY wall of sound of Space Homestead was recorded over the course of a year in nine different studios, presenting as clearly as circumstances permit a living idea right here and now of what it is all about.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e These are sonics in motion, the satiate plural perfect supply of the hunger unusual, the picturesque in sound. Grab a shuttle for your spectra-sound furniture any time in any aeon and dig the volume of their trip.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Woodsist","offers":[{"title":"Default Title","offer_id":39814770098246,"sku":"2","price":38.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0557\/4210\/3622\/products\/SpaceHomestead.jpg?v=1644835620"},{"product_id":"matt-valentine-what-i-have-became-lp","title":"Matt Valentine: What I have Became LP","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eIf string theory is correct, this is approximately the thirteenth album Matt Valentine has released that definitely shouldn’t be filed under a group name (Tower Recordings, Bummer Road, Golden Road, etc.). On the other hand, if string theory is correct, this might also be his 11,000th album. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe truth, one suspects, is somewhere in between. Since bedding down in southern Vermont at the dawn of the century, MV has been as cussedly prolific as anyone. The gout of LPs, cassettes, CDRs, singles and 10-inches emerging from Maximum Arousal Farm has dwarfed the output of everyone ’cept maybe Sunburned or Thurston. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eRegardless, there can never be enough MV LPs in the world, and What I Became is a beaut. Most of it is as solo as Satan, apart from percussionist Jeremy Earl (of Woods fame), whose presence is sometimes felt more than heard. Erika “EE” Elder and Mike “Muskox” Smith also pop up on a track, but the general approach here is as naked-and-loaded as the soul of Icepick Slim.\u003c\/span\u003e\u003cspan class=\"break\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAs usual, MV’s tunes and procedures beggar easy generification. Elements of deep forest psychedelia brush against Crazy Horse guitar \/ vocal flourishes that explode to reveal volk-based form mayhem at its hickiest. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eMy particular fave here is “PK Dick,” a paean to nth dimensional logic in the form of a Swedish psych-folk readymade. My son prefers the haunted-Harvest-vibe (his words) of “ Ave. B.” My wife goes for the Seventh Sons approach offered by “Sweet Little Indian Girl” (always a fave with the ladies). \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnd my daughter nods in the direction of “Continuing the Good Life” for reasons she will not explain. I suspect it’s the hooty vocals, reminding her of teen pop giants like The Shins and Of Montreal, but she ain’t sayin’. All this just goes to show that What I Became is a fun album for the whole family. It will soothe your savage breasts. It will turn your evil mother-in-law into a porpoise. It will wash yr dishes and darn yr socks. Darn them! Motherfucker, who else would do that? Nobody, Jack. ’Cept MV. This guy has the magic touch. And it has never been displayed better than here. Just get the fucking rec. Or prepare to go sockless. Kind of a no-brainer, eh?\u003c\/span\u003e\u003cspan class=\"break\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e—Byron Coley\u003c\/span\u003e\u003c\/p\u003e","brand":"Woodsist","offers":[{"title":"Default Title","offer_id":39814797557830,"sku":"2","price":38.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0557\/4210\/3622\/products\/MV_wib.jpg?v=1644836094"},{"product_id":"mv-ee-with-the-golden-road-shade-grown-lp","title":"Mv \u0026 EE with the Golden Road: Shade Grown LP","description":"\u003cp data-mce-fragment=\"1\"\u003eStudio C.O.M.'s from MV \u0026amp; EE have been rare these days with recent rockets being in the form of the most righteous and mighty live excursions into unknown jam galaxies thru song form (dig the heroines, box sets and residencies!).\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHowever, time was when the Child Of Microtones sound worlds were exploding with the most unique and highly personalized solar systems of pre-war\/post Takoma environs colliding like COMets with black ark pods from the tapers section.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOn \"Shade Grown\" sweet new MV \u0026amp; EE are back in that orbit fusing all that they can give and more to keep America beautiful. Go DIY army, this is greenspace…throw away yr armaments and trade the electric mower for headphones. This is perhaps the closest Spectra, Matt \u0026amp; Erika have come to dub, The ONE could get lost in these tunes\/jams for many spins. Bring on hyperspace awareness, you could be in yr very own room beyond inside out and feel all they are right beside you, just like spectrasound wanted you to be.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e Special guests\/skypilots from the good ol' Golden Road: Jeremy Earl (Woods), Michael Flower (Vibracathedral Orchestra), Matt Lajoie (Herbcraft), Doc Dunn, Muskox, Paulie G, Rafi Bookstaber, Carson \"Smokehound\" Arnold, Rongoose (Sunburned Hand Of The Man).\u003c\/p\u003e","brand":"Blackest Rainbow","offers":[{"title":"Default Title","offer_id":39816784543814,"sku":"1","price":40.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0557\/4210\/3622\/products\/mv_shade.jpg?v=1644928316"},{"product_id":"william-j-parker-shadowmen-lp","title":"William J. Parker: Shadowmen LP","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eWilliam J. 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The stunning gatefold LP (limited edition of 500) and CD are created by PAUL ROMANO best known for his incredible designs for Mastodon. Features C JOYNES, TYELR RAMSEY (BAND OF HORSES), WILLIAM TYLER (SILVER JEWS) and more.\u003c\/span\u003e\u003c\/p\u003e","brand":"Tompkins Square","offers":[{"title":"Default Title","offer_id":39820600246342,"sku":"1","price":35.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0557\/4210\/3622\/products\/VariousArtists-ImaginationalAnthemIVLP.jpg?v=1645066333"},{"product_id":"various-artists-exploring-imaginational-anthem-ix-ryley-walker-presents-lp","title":"Various Artists: Exploring Imaginational Anthem IX - Ryley Walker Presents LP","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eTompkins Square label's very first release in 2005 was the acoustic guitar compilation, Imaginational Anthem Volume One. The concept was to showcase new talents alongside first-gen American Primitive guitar legends, a formula that stuck across the first three volumes. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eVolume Four, released in 2010, featured all contemporary players, giving many folks their first taste of William Tyler, C Joynes, Chris Forsyth and Tyler Ramsey. The label then started farming out curation duties to others : Sam Moss for Volume 5, Chris King for Volume 6 (Origins of American Primitive Guitar), Hayden Pedigo for Volume 7, and Michael Klausman \u0026amp; Brooks Rice for Volume 8 (The Private Press). \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eTompkins Square recruited label alum RYLEY WALKER to compile Volume Nine. Given his deep Rolodex and exquisite taste, it's no surprise that this comp is probably the most diverse of the series. 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Records, the Modern Music record store and G-Modern Magazine. Few label founders loom as large in the history of underground music as P.S.F Record's Hideo Ikeezumi. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan\u003eOver three decades and more than 200 titles, Ikeezumi's intensely critical ear guided and assembled a body of music that transcended genre; he exclusively championed artists that were uncompromising in their visions, unconcerned with trends or commercial success. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan\u003eThis four-LP compilation, selected by Ghost's Masaki Batoh, is a primer of Ikeezumi's curation: a kaleidoscopic collection of previously unreleased gems from the Japanese underground. Running the full stylistic gamut from the hushed tones of Kim Doo Soo and Go Hirano to the psychedelic rock splendor ofOverhang Party and High Rise this set connects the dots between generations and movements, all linked by the common thread of Ikeezumi's panoramic musical vision. The most original voices in the avant garde, psychedelia, folk, free jazz, and rock all found a home with P.S.F. Records. Directed by Masaki Batoh. Edited by Yoshiaki Kondo (GOK Sound). Mastered by Kazuo Ogino; Vinyl Mastering by John Golden. Designed byTakuya Kitamura. Also features Acid Mothers Temple \u0026amp; The Melting Paraiso U.F.O., Kazuo Imai, Maher Shalal Hash Baz, .es, Keiji Haino, á qui avec Gabriel, Shizuka, Masayoshi Urabe, Ché-SHIZU, Fushitsusha, White Heaven,Keiko Higuchi, Reizen, Makoto Kawashima, Niseaporia, Ghost, Hasegawa-Shizuo, and Hideaki Kondo. Includes essays by Masaki Batoh and Alan Cummingsalong with artist profiles, all in English and Japanese. Deluxe triple gatefold, heavy tip-on edition with metallic inks and spot finishes. Includes printed inner sleeves. Pressed to high quality vinyl at RTI; Digital download included.\u003c\/span\u003e\u003c\/p\u003e","brand":"Black Editions","offers":[{"title":"Default Title","offer_id":39820650020934,"sku":"3","price":110.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0557\/4210\/3622\/products\/v-a_-_tokyo_flashback_psychedelic_1024x1024_8c36969d-eb2f-4199-9f2f-e4795b24eb7a.jpg?v=1645068457"},{"product_id":"peter-walker-second-poem-to-karmela-lp","title":"Peter Walker: Second Poem To Karmela LP (pre-order)","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eOriginally released in 1968 on Vanguard Records, PETER WALKER’s album Second Poem To Karmela Or Gypsies Are Important was a ground breaking blend of folk, raga, psychedelia, Eastern and Modal sounds that has remained unsung for decades. While his debut album for Vanguard, Rainy Day Raga, has been reissued several times on LP and CD, this album (his sophomore effort), remains an obscure and hard to find vinyl relic. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eUntil now. Carefully remastered from the original tapes, guitar scholar GLENN JONES recently interviewed Peter Walker for hours and has written a book-deep essay for the CD and LP liner notes that detail Walker’s association with an incredible cross-section of 1960s counter-culture icons including LSD guru Timothy Leary (Walker personally provided ‘the soundtrack’ to many a trip), he studied raga music with Ali Akbar Khan, and like his close friend Sandy Bull, Walker worked on a fusion of Western and Eastern sounds. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eJIM PEPPER plays flute on Second Poem (he also recorded with The Fugs and Don Cherry), other accompaniment to Walker’s guitar, Sarod and Sitar playing includes violin, organ, tablas, and tamboura. 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Forged in the heat of Kristin Anderson's Charlestown loft, the group more or less descended straight from the corpse of Shit Spangled Banner, although they did not assume the band name until 1997 (two years after the first protean jams had started).\u003c\/p\u003e\n\u003cp\u003eThe material on the album was recorded in 1997 \u0026amp; '98, often deep in the grip of acid flashes, and it really shows. Over the course of their nearly two-decade lifetime, Sunburned has been many things, but it's easy to forget how spacily jazzoid and proggily psyched-out their initial gushes were.\u003c\/p\u003e\n\u003cp\u003eThe music here is wildly explorative and crazily inventive, sharing a clear affinity with fellow travelers No Neck Blues Band. Indeed, the second edition of the CDR of this album was created to be sold on a 1999 tour which was No Neck, John Fahey, and Sunburned. One can only shudder at the mere thought. Anyway, this may well be one of the best Sunburned albums. It has a bizarre sweetness I never noticed in the band back then, because they always seemed like thugs underneath everything else. But you can really sense it here. And Rob Thomas's excellent liner notes attest to the benign flow of their early visions. How nice to hear where this weird trip started.\" --Byron Coley, 2015\u003c\/p\u003e","brand":"Feeding Tube Records","offers":[{"title":"Default Title","offer_id":39824310632518,"sku":"1","price":38.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0557\/4210\/3622\/products\/sunburned_mind.jpg?v=1645155058"},{"product_id":"anthony-crystalline-roses-pasquarosa-with-john-sunburned-moloney-my-pharaoh-my-king-lp","title":"Anthony “Crystalline Roses” Pasquarosa with John “Sunburned” Moloney: My Pharaoh, My King: LP","description":"\u003cp\u003e\"This new duo LP, the first recorded by guitarist Tony Pasquarosa and drummer John Moloney (aka The Meatball Twins), is a masterpiece of lateral drift. Recorded as something like a tribute to the spirit of Farrell 'Little Rock' Sanders (also known as 'The Son' in the saxophonic Holy Trinity, along with Coltrane's 'The Father,' and Ayler's 'The Holy Ghost') there is no music here specifically recalling Sanders's work. But much of it seems to spring from a place that is illuminated by Sanders's artistic freedom, and his utilization of Middle Eastern symbols and motifs both inside his music and as part of his artistic statements.\u003c\/p\u003e\n\u003cp\u003eTony's acoustic guitar playing makes me think of the work of India's great string master, Brij Bhushan Kabra. Raga-like twirls and filigree emerge like puffs of wet smoke, drifting away lazily in the sharp light of a winter's afternoon. And Moloney, who is best known for throwing down thunder with Sunburned, Chelsea Light Moving, Dino Jr, Caught On Tape and other Giants of Thud, matches Tony's mood effortlessly.\u003c\/p\u003e\n\u003cp\u003eSweet light rhythm patterns are not something one often associates with Moloney's music, but his playing here with both percussion and wind show a very different side of his chops. At some points the overall sound recalls one of Sandy Bull's 'Blends' with Billy Higgins, but the music on \u003ci data-mce-fragment=\"1\"\u003eMy Pharaoh, My King\u003c\/i\u003e is entirely its own trip. And it is a damn good one. Enjoy it with a meatball today!\" --Byron Coley\u003c\/p\u003e","brand":"Feeding Tube Records","offers":[{"title":"Default Title","offer_id":39824315711558,"sku":"2","price":35.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0557\/4210\/3622\/products\/pasq.jpg?v=1645155553"},{"product_id":"kudo-reiko-and-tori-tangerine-lp","title":"Kudo, Reiko and Tori: Tangerine LP","description":"\u003cp\u003eA Colourful Storm presents \u003ci data-mce-fragment=\"1\"\u003eTangerine\u003c\/i\u003e, a collection of songs by Reiko and Tori Kudo. Recorded at Village Hototoguiss, Japan, in 2011 and 2012 and Cafe Oto, London, in 2009, \u003ci data-mce-fragment=\"1\"\u003eTangerine\u003c\/i\u003e is the result of over thirty years of improvisation and intimacy between Reiko Kudo and Tori Kudo (Maher Shalal Hash Baz, Fushitsusha, Noise, Ché-SHIZU).\u003c\/p\u003e\n\u003cp\u003eTheir live performances would welcome local musicians, neighborhood children, friends and passersby on stage while in the studio, they have been joined by Ikuro Takahashi (LSD March) and Takashi Ueno (Tenniscoats), releasing on indie labels such as Geographic and K. A touchstone of contemporary Japanese folk minimalism and significantly the last recorded appearance of the duo. Originally released on CD by Hyotan in 2013 and presented for the first time on vinyl by A Colourful Storm. Full-color sleeve with insert, postcard and lyrics in Japanese and English.\u003c\/p\u003e","brand":"A Colourful Storm","offers":[{"title":"Default Title","offer_id":39826040193094,"sku":"1","price":45.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0557\/4210\/3622\/products\/Kudo.jpg?v=1645178745"},{"product_id":"davide-cedolin-contemplations-and-other-instrumentals-from-the-valley-cd","title":"Davide Cedolin: Contemplations and other Instrumentals from the Valley CD","description":"\u003cp\u003eLigurian artist Davide Cedolin's first release for Ramble 'Contemplations and other Instrumentals from the Valley'. Davide's delicate strumming and finger-style guitar is set against a soundscape of field recordings, bowed banjo, harmonica, and organ and draws upon folk, and acid psych.\u003c\/p\u003e\n\u003cp\u003eThis is pastoral folk at its finest - ethereal and introspective…warm and welcoming.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1305396788\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/davide-cedolin.bandcamp.com\/album\/contemplations-and-other-instrumentals-from-the-valley\"\u003eContemplations and other Instrumentals from the Valley by Davide Cedolin\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Ramble Records","offers":[{"title":"Default Title","offer_id":39826622906438,"sku":"70","price":18.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0557\/4210\/3622\/products\/DavideCedolin_ContemplationsandotherInstrumentalsfromtheValley.jpg?v=1645189312"},{"product_id":"duncan-park-invoking-the-flood-cd","title":"Duncan Park: Invoking the Flood CD","description":"\u003cp\u003eDuncan Park is a South African guitarist and part of the exciting pastoral\/acid folk scene that is blossoming in Durban that includes Return to Worm Mountain, Rise Up, Dead Man, and William Graham Randles' Seven Rivers of Fire. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eInvoking the Flood is a meditation on the cleansing and healing properties of water. Duncan's journey takes us through the Kuruman River, into the heart of the Kalahari desert of South Africa where he evokes the sound of the river as it flows again for the first time in forty years following heavy rain. 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Six tracks of pastoral, meandering psych folk.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1126304675\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/the-modern-folk-ramble-records.bandcamp.com\/album\/briery-branch\"\u003eBriery Branch by The Modern Folk\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Ramble Records","offers":[{"title":"Default Title","offer_id":39826641092678,"sku":"140","price":38.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0557\/4210\/3622\/products\/TheModernFolk_BrieryBranch.jpg?v=1645189983"},{"product_id":"blake-hornsby-dogwood-dance-lp","title":"Blake Hornsby: Dogwood Dance LP","description":"\u003cp\u003eNorth Carolina artist Blake Hornsby’s wonderful fingerpicking, psych-folk album Dogwood Dance draws on the Appalachian Mountains in North Carolina, the fingerpicking of Takoma and the ragas of India.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=9324091\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/blakehornsby-ramble-records.bandcamp.com\/album\/dogwood-dance\"\u003eDogwood Dance by Blake Hornsby\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Ramble Records","offers":[{"title":"Default Title","offer_id":39826650202182,"sku":"140","price":38.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0557\/4210\/3622\/products\/BlakeHornsby_DogwoodDance.jpg?v=1645190860"},{"product_id":"se-permiten-submarinos-s-t-ep","title":"Se Permiten Submarinos: S\/T EP","description":"\u003cp\u003eOriginating from Huelva, Se Permiten Submarinos has its roots planted in folklore and flamenco fused with a healthy dose of stoner rock and acid psych from the landscapes of deep Andalusia.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1756945222\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/se-permiten-submarinos-ramble-records.bandcamp.com\/album\/se-permiten-submarinos\"\u003eSe Permiten Submarinos by Se Permiten Submarinos\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Ramble Records","offers":[{"title":"Default Title","offer_id":39826656591942,"sku":"130","price":30.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0557\/4210\/3622\/products\/SePermitenSubmarinos.jpg?v=1645191225"},{"product_id":"copy-of-se-permiten-submarinos-s-t-ep","title":"Se Permiten Submarinos: S\/T CD","description":"\u003cp\u003eOriginating from Huelva, Se Permiten Submarinos has its roots planted in folklore and flamenco fused with a healthy dose of stoner rock and acid psych from the landscapes of deep Andalusia.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1756945222\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/se-permiten-submarinos-ramble-records.bandcamp.com\/album\/se-permiten-submarinos\"\u003eSe Permiten Submarinos by Se Permiten Submarinos\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Ramble Records","offers":[{"title":"Default Title","offer_id":39826656657478,"sku":"70","price":10.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0557\/4210\/3622\/products\/SePermitenSubmarinos_1a415934-0972-48f5-89ea-bb8c4974beb4.jpg?v=1645191240"},{"product_id":"dark-leaves-laid-under-leaf-under-branches-lp-gatefold","title":"Dark Leaves: Laid under leaf, under branches LP (Gatefold)","description":"\u003cp\u003eLaid under leaf, under branches’ is the first Dark Leaves release since the Forest Flowing' EP of 2020 and his acclaimed debut LP ‘Grey Stone In the wood'. Laid under leaf, under branches is the avant-folk solo project by UK artist Patrick Aston.\u003c\/p\u003e\n\u003cp\u003eAcoustic fingerpicking is combined with electronic and natural drone-influenced soundscapes, and field recordings, with hypnotic beats that reflect the land and sea where Patrick lives on the West Cornwall coast.\u003c\/p\u003e","brand":"Ramble Records","offers":[{"title":"Default Title","offer_id":39826666979398,"sku":"150","price":35.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0557\/4210\/3622\/products\/DarkLeaves_laidunderleaf_underbranches.jpg?v=1645191989"},{"product_id":"copy-of-dark-leaves-laid-under-leaf-under-branches-lp-gatefold","title":"Dark Leaves: Laid under leaf, under branches CD","description":"\u003cp\u003eLaid under leaf, under branches’ is the first Dark Leaves release since the Forest Flowing' EP of 2020 and his acclaimed debut LP ‘Grey Stone In the wood'. 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Mike started 90s experimental noise, prog-rock outfit Ray of Creation with Anthony Paine in the early 90s and went on to form krautrock duo Imperial Leatherman in 2000 with Stevie Richards. \u003c\/p\u003e\n\u003cp\u003eVol 1 is psyched out blend of American Primitive finger style guitar and raga, blues, acid folk, and heavy psych.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3674436757\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/ramblerecords.bandcamp.com\/album\/volume-1\"\u003eVolume 1. by the Man from Atlantis\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Ramble Records","offers":[{"title":"Default Title","offer_id":39826699026502,"sku":"150","price":38.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0557\/4210\/3622\/products\/theManfromAtlantis_VOL1.png?v=1645193771"},{"product_id":"copy-of-the-man-from-atlantis-vol-1-lp","title":"the Man from Atlantis: Vol 1 CD","description":"\u003cp class=\"p1\"\u003eThe man from Atlantis is the moniker for Melbourne, Australia musician Mike Sill. Mike started 90s experimental noise, prog-rock outfit Ray of Creation with Anthony Paine in the early 90s and went on to form krautrock duo Imperial Leatherman in 2000 with Stevie Richards. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eVol 1 is q psyched out blend of American Primitive finger style guitar, raga, blues, acid folk, and heavy psych.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3674436757\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/ramblerecords.bandcamp.com\/album\/volume-1\"\u003eVolume 1. by the Man from Atlantis\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Ramble Records","offers":[{"title":"Default Title","offer_id":39826700435526,"sku":"60","price":12.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0557\/4210\/3622\/products\/theManfromAtlantis_VOL1_ff5b5768-1480-42ab-9097-b683bc6df8d0.png?v=1645193788"},{"product_id":"santa-sprees-fanfare-for-tonsils-lp","title":"Santa Sprees: Fanfare for Tonsils LP","description":"\u003cp\u003eSanta Sprees is an a\u003cspan data-mce-fragment=\"1\"\u003englo-Japanese band Santa Sprees that have been advancing the art of unpopular song since 1994. Making questionable progress\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e \u003cspan class=\"peekaboo-text\" data-mce-fragment=\"1\"\u003efrom the low-skilled, no-fidelity, no wave of their earliest cassettes to the largely futile primitive avant bubblegum of today, releasing nine collections to date on a trail of defunct labels and media.\u003c\/span\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eFanfare for Tonsils scooped the polls in 2021 and appeared either as no 1 or top ten of the greatest release of 2021.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\"A tenth and possibly final iteration of paradise in which we learn that hermits are not alone in thinking that they're special. Music imagined along the narrowing path to death for test audience disapproval.\u003c\/div\u003e\n\u003cp class=\"credits-label\"\u003e\u003cbr\u003eA stage for the now and neverafter rendered in sponge and rubber bands with music written and performed by Santa Sprees, Anthony Dolphin and Kazuko Dolphin with Graham Darnell (rembetiko death banjo on ‘Visiting Hours Are Over’) \u0026amp; David Fair (co-writer of the lyric on ‘Harper’s Goldfish’). \u003cbr\u003e\u003cbr\u003eRecorded upon Hillside Bamboo in Dartmouth between the 2nd of August, 2020 and the 21st of May, 2021. Church door and organ recorded at the Church Of The Holy Rood, Ampney Crucis. Speech fragments from Shirley MacLaine, Robert Bresson \u0026amp; Vladimir Nabokov. \u003cbr\u003e\u003cbr\u003eYou can make your own fanfare for tonsils with six coloured sponges, thirty two elastic bands, eight pieces of white card, eight sheets of Japanese paper, a lamp, a camera, a microphone, a sixteen-track recorder, two human voices, a radical tonsillectomy, drums with felt beaters and sticks, kitchen bowls, wood blocks, a clockwork panda drummer made of tin, shakers, finger cymbals, sleigh bells, a church door, driftwood wind chimes made by Rita Pacheco, a glockenspiel, a mouth harp, a bamboo flute, a plastic c-tuned recorder, a bombarde, a plastic soprano saxophone, a membranophone, an ocarina, a kazoo, an electric guitar with at least five strings, a distortion pedal, a friend who plays the banjo, a rubber band bass \u0026amp; koto, a church organ, a monophonic synthesizer, and a keyboard with synthetic piano, bandoneon, celeste plus pipe, reed and other vital organs.\"\u003c\/p\u003e\n\u003cp class=\"credits-label\"\u003eAnthony Dolphin.\u003c\/p\u003e","brand":"Ramble Records","offers":[{"title":"Default Title","offer_id":39828485603398,"sku":"160","price":38.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0557\/4210\/3622\/products\/cover.jpg?v=1645230079"},{"product_id":"allah-las-calico-review-lp","title":"Allah-Las: Calico Review LP","description":"\u003cp\u003eLimited vinyl LP pressing. 2016 release. On Calico Review, Allah-Las weave their dreamy version of west coast psychedelia with advanced songwriting and exquisite production detail.\u003c\/p\u003e\n\u003cp\u003eThe California quartet's third album, Calico Review, focuses on both the outer trappings of their home and surroundings, and the through line of darkness that suffuses life in L.A. county. Bearing the mark of four students becoming the teachers and sharing the sentiments of the town they call home, there's a lot to learn from Allah-Las.\u003c\/p\u003e\n\u003cp\u003eThe band formed in 2008 while three of the members were working at Amoeba Music in L.A. The Allah-Las released their debut seven inch single in 2011. \u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=609571297\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/allah-las.bandcamp.com\/album\/calico-review\"\u003eCalico Review by Allah-Las\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Mexican Summer","offers":[{"title":"Default Title","offer_id":39829467463750,"sku":"1","price":30.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0557\/4210\/3622\/products\/Allahlahs.jpg?v=1645253793"},{"product_id":"yahowa-13-magnificence-in-the-memory-cd","title":"Yahowa 13: Magnificence In The Memory CD","description":"Skimmed from the riches in Source Family member Isis Aquarian's vaults, the nine tracks on Magnificence In The Memory run the gamut of YaHoWha 13's rainbow of styles, from the whispered Funk of 'Camp Of The Gypsies' to the screaming and stomping of, well, 'Camp of the Gypsies'. Psyched out hippy freak outs from the unhinged cult master.","brand":"Drag City","offers":[{"title":"Default Title","offer_id":39829489549382,"sku":"1","price":35.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0557\/4210\/3622\/products\/Yahowa.jpg?v=1645255680"},{"product_id":"ryley-walker-golden-songs-that-have-been-sung-cd","title":"Ryley Walker: Golden Songs that have been Sung: CD","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn November 2015, at the end of a ten month period which saw him play over 200 shows, Ryley Walker decided that he should probably head home. However you wished to measure it, he was surely due some sort of holiday. The preceding months had been extraordinary. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn March, his second album 'Primrose Green', emerged to critical hosannas from the likes of NPR, Village Voice, Uncut, and Mojo – in the process, earning admiration of musicians who had chalked up no shortage of turntable miles in Walker’s life. Robert Plant declared himself a fan – as did double-bass legend Danny Thompson, with whom Ryley would later embark on a British tour. For all of that, a holiday was the last thing on Ryley’s mind – and certainly not a holiday in his adopted hometown. After a year spent on the road, all that Ryley could associate with Chicago was the emotional debris he had left behind.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIndeed, anyone who caught his performances throughout the course of 2015, will attest to Ryley’s apparently effortless facility to conjure a breath-taking spectacle from a standing start. By the time of his 26th birthday last summer though, it became increasingly clear to Ryley that his recorded work was becoming less and less representative of the directions he and his close-knit group of musicians were\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003etaking in the live shows. Word of mouth and critical acclaim ensured sell-out audiences at his British shows, whilst a sprawling tour of the USA around 'Primrose Green' presented a perfect chance to workshop ideas for what would eventually become his third studio album, 'Golden Sings That Have Been Sung'. Last May, before an audience of “about four people” in Cleveland Ohio, Ryley remembers springing a new riff upon long-time guitar foil Brian Sulpizio, over which he found himself singing the line, “I only have a Christian education.” Over a period of successive nights, this riff, attached to a single lyrical fragment, broadened out into what would become one of the signature songs on the next record – with Ryley as much a fascinated witness to its creation as those who saw it taking shape. Of “Sullen Mind”, the song which grew out of those improvisations, Ryley explains, “I felt like I wasn’t raised to have to deal with negative, dark things in my life, but the reality is that I do. Everyone does. And a Christian education isn’t likely to save you from that.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOver the ensuing months, Ryley’s increasing desire to push himself beyond the strictures of songs he had already recorded, increased his hunger for concocting new material before ever increasing audiences. In September, over 1500 people turned up to watch Ryley and his band at Amsterdam’s legendary Paradiso club. “I didn’t really have any lyrics at that point. All I had was ‘You could find me at the Roundabout’. I was thinking about a bar just outside of Appleton, Wisconsin, called The Roundabout, that I’d sometimes go to with my parents.” What is ostensibly a song about “any of those bars in the mid-West where the beer is $2 for a giant glass of beer, and they’ve got chicken fingers and fries for $5” opens a portal into Ryley’s own blue-collar psychogeography, with inspired gambolling double bass from Anton Hatwich to help propel us there.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIf “The Roundabout” represented a symbolic return to Chicago, other songs were directly wedded to Ryley’s actual return there. Some of his formative musical memories had been shaped by the work of pioneering Chicago acts such as Gastr del Sol and Tortoise. “Jeff Parker was the guitarist with Tortoise, and I used to listen to him a lot,” recalls Ryley, who figured that, for the first time in his career, it might be helpful to enlist the services of a producer. With only one person on his shortlist, once again, all roads led back to Chicago. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eRyley had been a long-time admirer of sometime Wilco multi-instrumentalist LeRoy Bach. Back in 2009, still in his teens, he had frequented the improv nights hosted by Bach at a restaurant\/gallery space called Whistler. “For me, it was an incredible opportunity,” recalls Ryley, “…because you would sometimes also have Dan Bitney, the drummer with Tortoise, and I’d get to play with these people. I mean, they were twice my age. I’m sure they thought I was annoying at first, maybe some of them still do, but I kind of looked at them like gurus – and to have these old school Chicago heads taking me in was just amazing.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"For Ryley then, the prospect of having Bach produce his album was something of a no-brainer. “It was everything I wanted it to be,” he enthuses. “I would go to LeRoy’s house every other day with a riff, and we would take it from there.” Perhaps more than any other song on the record, the somnambulant sun-dappled intimacies of opening track “The Halfwit In Me” most audibly bear the imprint of those Whistler sessions. “Absolutely,” concurs Ryley, “I have to give LeRoy a hand for that. He helped shape that song, especially the clarinet parts. We went into the studio over the Christmas vacation – in fact, I think we actually recorded that song on Christmas Day.” Here and elsewhere, it’s impossible to miss the concerted lyrical shift away from the rapt generalities of 'Primrose Green' and into avowedly personal territory. “Funny Thing She Said” is a case in point – an unflinching study of separation set to a shimmeringly supple ensemble performance, at times calling to mind David Sylvian’s late 80s solo albums or the humid euphoria of Iron \u0026amp; Wine’s best work.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePerhaps the most exciting moment of these recordings though, came right at the very end, when he and LeRoy Bach assembled them in a line and began to realize the distance they had covered together. “It isn’t always obvious to you, when you’re in the thick of it,” he explains. “But, for the first time, I thought we had something that corresponds to what I was hearing in my head.” \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eNo less exciting for Ryley, and for those of us who have followed his path with increasing enthusiasm, are the new possibilities mapped out by these songs: the soft, slo-mo explosions of melody on “A Choir Apart” that intermittently burst through the distant thunder of the verses; the intriguing surreal images meted out by “I Will Ask You Twice”, like a malfunctioning slide projector; and, perhaps best of all, the stunning finale, “Age Old Tale”, which spiders out from an Alice Coltrane-inspired reverie into a sustained rapture that very few artists beyond perhaps Talk Talk on 'Laughing Stock', have managed to achieve. This is music made for the dewy magic hour when night and day have yet to meet and, as long as the song is playing, you feel might briefly leave the corporeal world with them. This is the music you might imagine the woodland animals making once the humans have left for the night. This is Ryley Walker’s coming of age.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eDead Oceans\u003c\/span\u003e\u003c\/p\u003e","brand":"Deep Oceans","offers":[{"title":"Default Title","offer_id":39831298867270,"sku":"1","price":20.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0557\/4210\/3622\/products\/a1950601767_16.jpg?v=1652184175"},{"product_id":"ryley-walker-primrose-green-cd","title":"Ryley Walker: Primrose Green CD","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Ryley Walker is the reincarnation of the true American guitar player. That’s as much a testament to his roving, rambling ways, or the fact that his Guild D-35 guitar has endured a few stints in the pawnshop. Swap out rural juke joints for rotted DIY spaces and the archetype is solidly intact. His personal life might be tumultuous and his residential status in question, but his bedrock is disciplined daily rehearsal and an inexhaustible wellspring of songcraft.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRaised on the banks of the ol’ Rock River in northern Illinois, Ryley’s early life doesn’t give us much more than Midwestern mundanity to speak of. Things start to pick up for young Walker when he moves to Chicago in 2007 and briefly attempts a collegiate lifestyle as he storms the always fecund local noise scene with his Jasmine-brand electric guitar; just a cheap knock-off from which he could coax unearthly sound hallucinations. A few years of wasted finger-bleeding basement shows variably under the names Heatdeath and Wyoming (with requisite cassette-only releases) firmly established his name locally, if not always positively.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRyley transitioned slowly into the finger-style artist we know today in 2008 and 2009, still opening for synth nerds in basement venues, but growing by leaps and bounds in virtuosity. He\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eperfunctorily maintained day jobs with frequently amusing results, famously getting fired from Jimmy John’s for practicing in the walk-in freezer. By 2011, at age 21, he finally began issuing recordings from his already impressive catalog of compositions. 'Evidence of Things Unseen' and 'Of Deathly Premonitions' (with Daniel Bachman) appeared briefly as limited cassette releases. Both efforts were impressive displays of fingerpicking prowess though not fully elaborated documents.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt was a 2012 bike accident that set Ryley on his current path. He quit his day job to recuperate but instead of returning to the grind he duked it out on the rock club circuit. Practice became more diligent; he began lacquering his fingertips at cheap salons, permanently giving his playing aggression and tone difficult to achieve with naked fingertips or finger picks. Though seen as part of the fraternity of young guitar masters like William Tyler and Daniel Bachman, his voice defied that stereotype. He was finding a new path refracting the British traditional spectrum, from Bert Jansch to Nick Drake, and defying all the limitations of the genre. His 2013 recordings, that resulted in The West Wind EP and All Kinds of You LP, fully express these Anglophilic tendencies to the point of nearly exhausting their possibilities.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis brings us to the present. The board was barely reset from the All Kinds of You sessions before Ryley was corralling his by-then-rejiggered band back into Minbal studios in Chicago to solidify a totally new direction in his creative vision. Primrose Green couldn’t be restrained. It begins near where All Kinds of You leaves off but quickly pushes far afield. The title sounds pastoral and quaint, but the titular green has dark hallucinogenic qualities, as does much of the LP.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe band is a mixture of new and old Chicago talent, blending both jaded veterans of the post-rock and jazz mini-circuits together with a few eager, open-eared youths. Fred Lonberg-Holm, cellist, is as of now a member of Chicago’s old guard of jazz musicians, having played numerously alongside luminaries Peter Brotzmann and Joe McPhee, to name just two lines on a very long list. Frank Rosaly, drums, is approaching the same longevity and padded resume, managing long stints with Josh Abrams, David Boykins, and Doug McCombs. Jason Adasiewicz, vibraphone, gigs with Exploding Star Orchestra and Jagjaguwar alums Manishevitz and anyone else in town who needs vibes. Anton Hatwich, double bass, has been playing live with Ryley’s band for almost a year now, while still holding it down with various trios and quartets. (It’s worth stating at this point that this is not a jazz record. Chicago has blurred these lines since forever.)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe core of Ryley’s band continues to be Brian Sulpizio, guitar, and Ben Boye, piano or harmonium. The telepathic intuition between them took root with their Health \u0026amp; Beauty project under which they’ve issued a handful of cassettes, particularly Chicago’s best kept secret masterpiece from the ‘teens, Guns. Ben Boye is perhaps best known as a member of The Cairo Gang, Bonnie “Prince” Billy’s recording and touring band for a few years (before he retreated to personal and spiritual isolation in New Mexico). Today he shares his time as well with Joshua Abrams’ expansive ensemble Natural Information Society. Brian spends his non-guitar playing time as a recording engineer, including the final stereo mix heard on this very record, or in a liminal state beyond consciousness.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLast but certainly not least amongst the musicians is Whitney Johnson on viola and intermittent background vocals. Besides being the go-to violist in the tri-state-area, she also plays with the experimental quintet Verma (Trouble In Mind) and helms her own even-more-experimental solo project, the fragiley beautiful Matchess (also on Trouble in Mind). Cooper Crain, recording engineer and de facto producer, is known as member of contemporary Krautrock act Cave (Drag City) and founder of new age secularists Bitchin’ Bajas who have risen to the top of the synth-drone mountain with their last few Drag City releases. Though his musicianship isn’t heard here, his undefined creative energies are uncontainable and splashed across this LP.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRyley didn’t have much time to write this LP, so some of it he didn’t… bits of lyrics were improvised into full-blown songs in the studio on the fly more often than not. However, the ratty bits of handwritten words that make up the balance of the record were largely pieced together while on an ill-fated 2013 tour with Irish guitar whiz Cian Nugent. The title track “Primrose Green” was nearly discarded after its incarnation on a bleak St. Patrick’s Day spent in Oxford, Mississippi. “Primrose Green” is a colloquial term for a cocktail of whiskey and morning glory seeds that has a murky, dreamy, absinthian quality when imbibed, and a spirit-crushing aftereffect the morning after. It is the moment before departure from Ryley’s All Kinds Of You mindstate. “Summer Dress” is liftoff… seizing the mantle from Tim Buckley’s Starsailor and perfecting its frantic jazz-induced fits. It was written in a dressing room in upstate New York, but perfected in rehearsal, veering between a six and ten minute epic. Contained here is the flawless conclusion, but reference the live set to experience the full possibilities of this anarchic work.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA forgotten roadside hotel in Tennessee yielded one song, “Same Minds”, with just a hint of self-loathing. It was kicked around in rehearsal until taking its shape as a drifting bit of dreamy jazz. A 5-day stretch in Austin, mostly staying on Lechuguillas’ Jason Camacho’s tile floor with no blanket in a room barely large enough for one yielded most of the rest of the lyrics. “Griffiths Bucks Blues” was almost jettisoned but a thumbs-up from Jason kept it in the repertoire. Griffith Buck was a local artist and eccentric botanist in Ryley’s hometown of Rockford, Illinois who has likely had few other songs named for him. “Love Can Be Cruel” spends almost two minutes “out” before becoming the song it was originally intended to be. Drummer Frank Rosaly pushes the song further and further until it borders on a cathartic meltdown to close out Side A.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSide B sets off with a shot of Americana, “On The Banks Of The Old Kishwaukee”. It’s an ode to the immersion baptisms Ryley’s witnessed while walking along the banks. Unlike the idyllic memories of christenings under the weeping willows while a crowd looks on happily in their Sunday’s best at the healthy young catechumens; the river was brown and polluted and the participants dirty and tired and disinterested. “Sweet Satisfaction” presents some of Ryley’s most intricate and ecstatic fingerpicking. It’s hard not to recall John Martyn’s early 1970s work, though Ben Boye’s piano work is particularly revelatory here. “The High Road” was written while the trio of Ben, Ryley, and Brian Sulpizio (guitar) were on tour, opening for Cloud Nothings. Stuck crashing in a busted, unheated old house in New Orleans Ben sunk into a depression, Brian drank and Ryley drank, but also managed to turn out this ode to the rambling life.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“All Kinds Of You” is the oldest song included here. The title should seem familiar… it was written after his first LP, All Kinds of You, was finished, but the name seemed to fit that collection of songs better than anything else. By now, the song has seen many transformations and now sits more comfortably amongst Primrose Green’s cosmic transmissions. Lyrically, it copes with Ryley’s roadworn identity crises, the need to be so many people in so many cities, trying to fit in however possible in different hemispheres or different languages. Side B closes with a bit of tossback: “Hide In The Roses”, the only solo jam included herein. Cooper Crain (Cave, Bitchin’ Bajas), de-facto producer of the record, encouraged Ryley to use the extra studio time to bang something out, and this brilliant piece of Anglophilia emerged as the album’s closer.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNo one knows what the future holds for young Ryley Walker. Hardship and setbacks and dilapidated housing only seem to spur him on creatively. Here, with this record, we risk limiting his access to personal disaster by flirting with success. A short lifetime of interminable practice and discipline have resulted in a masterpiece of an album, an album of a sort we haven’t seen since the 1970s. If the world catches on, the Ryley that follows up this album may be a different sort of person, one who knows the taste of better liquor and comfortable bedding and isn’t nearly as driven. I think he will be just as visionary, though less hungry, but either way... this is the time to get on the Ryley Walker bandwagon.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eDeep Ocean\u003c\/span\u003e\u003c\/p\u003e","brand":"Deep Ocean","offers":[{"title":"Default Title","offer_id":39831299686470,"sku":"1","price":20.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0557\/4210\/3622\/products\/primrosegreen.jpg?v=1645326608"}],"url":"https:\/\/ramblerecords.com\/collections\/psych-folk-acid-folk-outsider-folk-alternative-folk.oembed?page=5","provider":"Ramble Records","version":"1.0","type":"link"}